Now lets begin to integrate all things into one.  When one looks at the musical scale, one realizes that there are eight notes in an octave.  These are composed of seven notes (A, B, C, D, E, F, G) and includes the first note of the next scale (A) so that it is ABCDEFGA.  The next octave overlaps with the last note of the previous octave and includes the first note of the higher octave (first and last theme again).  Three (again, a trinity) of octaves would add up to twenty two (22) notes as follows:

     ABCDEFGA
                      ABCDEFGA
                                       ABCDEFGA

    So, lets presume that these three octaves of notes correspond to the twenty two letters of the Hebrew alphabet.  If aleph is considered the highest vibration, then that would mean that the last note would be assigned to aleph.  Inasmuch as aleph is the Father principle, perhaps aleph also represents a chord composed of all of the notes of the octave.

    But before we construct the diagram, lets also consider colors.  Many Eastern religions assign the seven colors of the spectrum to the seven chakras so that it progresses red, orange, yellow, green, blue, indigo, violet.  Again, lets take a trinity (three) of the color vibrations and assign them to the Hebrew alphabet.  Again, aleph is the Father principle and so would be the composition of all of the colors (white).   Most know that a simple glass prism can be used to separate white light into its spectrum of colors.  White is a symbol of wholeness, purity, and reflection of light (see quote at the beginning of page 1).  Its counterpart (black) represents the absence of color and the reflection of none.

    So, integrating color (vibration) and sound (vibration) into the Hebrew alphabet, here is what we get:
 

    Perhaps we are on the right track in uncovering the pure language wherein all things are integrated into one?